Oz Clay 5kg

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$33.95  (Ex GST)

$37.35  (Incl GST)
The item is available

Product Code ML715

5kg pug of an Australian made air drying clay that is inexpensive for classroom use when a kiln is not accessible to fire normal clay. This revolutionary new clay to Zart has all the properties of clay, it requires the same skills for modelling with clay yet it air dries. Very little shrinkage when drying so it can go over armatures such as newspaper balls, wire and foil to construct larger forms without using a large quantity of clay. Add water if clay is too hard or cracking while modelling. Store clay in a cool place wrapped in plastic when not in use. Leave models to dry in open air. When dry apply acrylic paint or Supermix Pastels softened with a hair dryer to create a beautiful matt finish. Several coats of UniLac varnish will seal the clay models allowing them to go outside and withstand the weather without deteriorating.

Key Features:

  • Pack of 5kg Oz clay 
  • Colour: White 
  • Inexpensive alternative to use when a kiln is not accessible to fire normal clay 
  • Can easily be pulled, stretched, rolled and embossed to any shape 
  • Add water if clay is too hard or cracking while modelling. 
  • Very little shrinkage so it can go over armatures such as newspaper balls, wire and foil to construct larger forms without using a large quantity of clay. 
  • Clay compound air dries in hours – leave models to dry in open air. 
  • Once dry apply acrylic paint or Supermix Pastels softened with a hair dryer to create a beautiful matt finish.  
  • Several coats of UniLac varnish will seal the clay models allowing them to go outside and withstand the weather without deteriorating.  
  • Store clay in a cool place wrapped in plastic or placed in an airtight container when not in use. 
  • This product is suitable for all ages from Primary to Adult 
  • Shelf life: 16 months 

Working with Oz Clay

Oz Clay is the most ‘clay like’ material available when a kiln is not accessible. It is an Australian made air drying clay that has all the properties of normal clay and requires the same skills for modelling with clay yet it air dries.

Important features: Similar to real clay. Air dries with very little shrinkage so it can go over armatures such as newspaper balls, wire and foil to construct larger forms without using a large quantity of clay.

Small amounts of water will improve the clay’s plasticity if it is too hard or cracks while modelling. Untouched clay should be stored in a cool place in an airtight container. Left over clay should be stored in an airtight container separate from untouched clay to prevent contamination.

Allow models to dry slowly by partially covering with a plastic bag and slowly removing the bag more and more over a few days. This will help prevent cracking. Paint with acrylic paint or Langridge Decorative Finishes.

Step-by-Step: Modelling over an Armature

Step 1: Scrunch up newspaper and bind with Masking Tape onto a Wooden Block Base.

Step 2: Flatten Oz Clay with hands.

Step 3: Drape flattened clay over the armature. Smooth out and add more clay as needed to cover broken areas.

Step 4: Build up facial features by adding coils and balls of clay to the face.

Step 5: Use clay tools, Satay Sticks or Popsticks to add details to the face.

Step 6: Clay can be smoothed when all details are finalised.

Tip: If your hands get dry while working, dip two fingers in water and rub around your hands to ensure you don’t over wet the clay. A damp sponge is also a great way to achieve a smooth even surface.

Step-by-Step: Building on a Pinch Pot

Step 1: Create a pinch pot from a mandarin size ball of Oz Clay.

Step 2: Scrunch up newspaper and place inside the pot to add stability when turned over. Modify the shape of the pot to suit your sculpture.

Step 3: Use the upside down pot as a starting point for a sculpture.

Step 4: Add and join pieces of clay. Use tools to create textures. Leave to dry then finish with paint, spray paint or varnish to achieve your desired effect.

Clay Joining Techniques

Option 1: Score each surface of the pieces to be joined together. Press firmly together.

Option 2: Smooth together surfaces that are to be joined, this can also be done by adding a coil.

Click to view resource Please click here to view Safety Datasheet

Click to view resource Please click here to download the Safety Data Sheet

Zart Art School Catalogue page: 220