How To:
Learning Outcomes
- On completing this topic, students will be able to:
- Create a life size clay head utilizing clay draping technique using an inflated balloon as support
- Explore and experiment with clay tools and various equipment to shape facial details from clay and attach using the score and slip technique
- Appreciate the malleable quality of clay and demonstrate a working knowledge of its characteristics
- Approach their responsibility to cover and protect their work in progress with plastic
- Confidently use ceramic under colours to enhance their product
- produce a satifying finished product
- Make self assesment and evaluation of their product
Activity: (approx ten double periods)
- Short review of sculptural portraiture- Ancient Egyptian, Greeks, Roman busts, Homo Faber- the sculpture, forensic science, facial proportions, mass and volume
- Conduct class brainstorming sessions exploring facial expressions using both 2D and 3D examples and illustrations and diagrams on the board
- Class members complete a life size drawing of a face as teacher demonstrates the systematic process on the board.
- Students design four possible design solutions on paper looking through magazines and books for inspiration
- Demonstrate clay construction using a blown-up balloon as a support structure. Students are provided with a handout illustrating steps in constructing their clay head
- Using their initial designs and their imagination students construct their clay head.
- Provide students with guidance, technical assistance and encouragement
- At leather-hard stage, students paint their ceramic clay head using ceramic undercolours
- The painted greenware product is fired at 980 degrees celsius in the kiln then glazed with clear glaze and fired a second time at 1200 degrees celsius
- When complete the students draw and evaluate each other's finished products using the write and circulate exercise.
Research
- Students collect a selection of faces from magazines and newspapers for inspiration
- Libary books, notes on sculptural portraiture
- Studio sketches of heads, facial features and expressions
- Life size drawing of a face in grey lead pencil, front on and in profile
- Four potential design solutions
- Finished clay head, painted, glazed and fired
- Evaluation and final watercolour painting/drawing
Elizabeth Barnes
King Kahlid Islamic College
North Coburg
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