Term 1 2005 Gallery

Banksia Secondary College

Carnival Masks

How To:

  • In our year 9 Visual Communication class at Banksia Secondary College we had been discussing the possibilities and many ways of creating imagery for the communication of information
  • Students recognised the exciting potential of three-dimensional form and a large variety of materials in design work
  • The topic was festivals and tasks involved creating an appropriate logo and mask for a festival of the students choice
  • All were encouraged to be as imaginative and inventive as possible
  • A wide and sometimes humorous range of titles from "The Rainbow Festival" to the "Moo-Cow Festival" was devised according to the student's interest
  • We decided on a basic theme of gold and students were offered access to a broad range of shiny and exotic decorative materials, papers, corrugated card, metallic papers and metallic card, fabric, sequins, beads, feathers, tinsels, twisted metallic paper rope, star garlands
  • Inspiration was derived from researching the origins and purposes of masks in both primitive and non-primitive cultures
  • Students paid particular attention to examples of the 18th century Venice Carnival
  • They noted that Venice in the 1700's was a place where festivals and street events were popular and that society was influenced by French culture.
  • We also looked at mask examples of artists such as Susan Rodgers, Wendy Littlewood, Robyn Gordon, Jenny Orchard, Nigel Thomson and Neil Moore
  • Work started with paper mache over plastic face moulds building several layers of newsprint and glue before finishing with finer layers of white paper
  • This was allowed to dry out while students generated, developed and refined ideas through the Design Process
  • Incorporated in these masks was exploration and experimentation with different mediums and materials
  • Dry masks were attached to a cardboard surround the shape and surface formed nature of which was determined by the students design
  • All masks were painted with a base of gold lustre. Individual designs were drawn on, painted and decorated according to preparatory designs and selected materials